Annecy Part 2

Mifa venue – Allée de l’Impérial. Ex-Nazi HQ (apparently)

The main reason I was at Annecy was in fact because there’s a business segment – MIFA, which is a mini-market with a strong European focus. My meeting schedule wasn’t actually that packed as I had wanted to make room for some conference sessions.

In the end though I swapped those for workshops by Disney Animation Studios. I figured rather than hear a bunch of executives talk about ‘issues and trends’ – which tend to be either repetitive or end up being really more about their own projects (believe me I’ve been to plenty of those), it’d be a better deal to hear Disney artists talk about story art, acting in animation, story reels etc. with real examples as they go through their recent films. How often do we get to see THAT?

‘Art of Story’ talk by Disney Animation Studios.

There were of course the required business meetings and buyer pitches, and they went well enough, by and large. But I definitely get the feeling that even the suits are at Annecy because it’s a more relaxed environment, and certainly more scenic and personable than the craziness that are the Cannes markets. Granted the scale of MIFA is a fraction of MIPTV / MIPCOM, but it is ALL animation and most would agree that when it comes to these meetings, quality time is far better than 30 min back-to-back meetings all day long.

Food in Annecy, for the most part, is decent. Except for Quick Burger, the only fast food joint in the area, which was horrible (I passed on the mayonaise). Still, it was a life saver between tight screenings. Food prices were lower than those in Cannes (although the quality doesn’t come close). Waiters and waitresses are also friendlier, although they still take ions to appear for an order.

As for my daily hotel ‘buffet’ breakfast (by that I mean a borderline respectable assortment of flour-based products), by the 5th day I had developed a vengeful resentment towards croissants. I wanted to make the crossaint eat itself so it knows how bland it tastes, then drowned it in the weak foamy coffee I’ve been drinking for what seemed an eternity.

Back to the festival (cos that’s where most of the fun is) – there is a conspicuous absence of Asian short films in the official selection. Why that is the case I don’t really know. I’ve seen plenty of Japanese and Korean shorts over the years that have blown my mind, and even China has some amazing talents coming through. I’ve seen their commercial work and they’re not only great artistically but just in terms of sensibilities they would surely add a richness to a festival full of great films but nonetheless are dominated by European fare.

My second favourite Scotsman (after Kenny Dalglish), Ken Anderson, told me he has a friend in the Annecy jury and she told him plainly that the entries from Singapore just did not cut it. I don’t know many filmmakers locally that are doing independent animation work, so it’s likely they’re mostly students’ work. It’s a rather sad state of affairs that many people less in touch with the industry may not care much for – that much, much more need to be done to help develop the craft rather than the business of it all – and it’s definitely an ailment that will exacerbate the chronic lack of strong animation directors as well as writers in Singapore.

To be concluded.


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